Oasis’ Streams Rise to New Live ’25 Tour Peak Following Labor Day Weekend Takeover

Oasis’ Streams Rise to New Live ’25 Tour Peak Following Labor Day Weekend Takeover

Oasis’ reunion tour has sparked another massive surge in streaming, reaching a new high during the U.S. leg of their Live ’25 Tour following the Labor Day weekend shows. As the band kicked off their North American run with performances in Toronto and Chicago before ascending to New Jersey’s MetLife Stadium for back-to-back dates on August 31 and September 1, their catalog nearly eclipsed the early-tour streaming peak. Over just five days—from the Chicago performance through the Tuesday after the MetLife shows—Oasis amassed nearly 11 million on-demand official streams in the U.S. alone, marking an increase of more than 30% compared to the same period the previous week .

This spike underscores how American audiences are rediscovering—or discovering for the first time—the band’s iconic music nearly three decades after their initial peak. The renewed interest signals that Gallaghermania remains alive and well, with folks across the States tuning in in droves .

Across the broader tour timeline, earlier data shows that the reunion tour had already ignited sweeping streaming boosts. Globally, Spotify recorded a staggering 320% increase in Oasis streams following the Cardiff tour kickoff in early July. “Hello” soared by 1,115%, while “Bring It On Down” and “Fade Away (Remastered)” each surged 1,000% . In the U.S., the announcement of the tour itself triggered daily on-demand streams to more than double—from approximately 754,000 to 2.8 million—by the time the tour details were revealed .

As Oasis continues their Live ’25 journey with shows across southern California and beyond, it’s clear that their reunion isn’t just reviving their live legacy—it’s revitalizing their digital presence, too. With streaming figures climbing week by week, the band has not only recaptured global attention but also reaffirmed their lasting relevance in today’s music landscape.

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