18 Best Moments From Norway’s Øya Festival: Girl In Red Goes Punk, Chappell Roan Shouts Out Her Mom & More

18 Best Moments From Norway’s Øya Festival: Girl In Red Goes Punk, Chappell Roan Shouts Out Her Mom & More

The 2025 edition of Øyafestivalen unfolded in Tøyen Park from August 6 through 9, offering an eclectic array of standout performances and unforgettable moments. Among the most talked-about highlights:

Chappell Roan opened the festival in dramatic fashion. Her headline set on Amfiet featured a gothic fairytale stage, three costume changes, a drag-inspired green ensemble, and a powerhouse, all-female band. She delivered energetic renditions of “Super Graphic Ultra Modern Girl,” “Femininomenon,” “Hot to Go!,” and “Good Luck, Babe,” closing with “Pink Pony Club.” Despite a few quieter mid-set moments, the performance captivated even skeptical attendees with its flair and sing-along appeal .

Fontaines D.C. brought post-punk devotion to the Sirkus stage, blending brooding riffs with lyrical nods to Joyce and Nabokov. The band drew an expansive crowd and projected political messages—“Free Palestine” and “Israel is committing genocide”—during their set’s emotional peaks .

Girl in Red concluded the festival on the Amfiet main stage. Having graduated from smaller stages in previous years, her set featured riff-driven indie pop, confessional lyrics, a shattered guitar moment, and dramatic storytelling. The performance drew praise for its emotional intensity and affirmed her evolution as a global DIY icon .

Across the park, the festival’s inclusive values were evident in both the lineup and the crowd. Øya continued its commitment to gender balance, sustainability, and local talent. Acts like Chappell Roan, Charli XCX, girl in red, Queens of the Stone Age, Fontaines D.C., Lola Young, Beth Gibbons, and Honningbarna underscored the festival’s broad musical scope.

On the ground, several artists and attendees voiced concerns related to the festival’s ownership. Protests, discussions of “Øya shame,” and artist withdrawals highlighted tensions around Superstruct and its KKR ownership—prompting official statements about support initiatives for Gaza and festival values .

From theatrical pop moments to political statements and local pride, Øyafestivalen 2025 stood out as a vivid celebration of music’s power and purpose.

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